Different Types Of Wood Used For Guitars PROS VS CONS

By Mike D. Schmitt

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When it comes to building guitars, the choice of wood used can greatly affect the sound, feel, and overall quality of the instrument. Each type of wood has its own unique properties, strengths, and weaknesses that can greatly impact the tone, sustain, and resonance of the guitar. In this article, we’ll take a closer look at some of the most commonly used woods for guitar construction, their pros and cons, and the types of guitars they’re best suited for.

Mahogany Wood:

Mahogany is a dense, heavy, and straight-grained wood that is widely used for guitar construction. It is known for its warm, rich, and full-bodied tone with a strong mid-range and well-defined lows. Mahogany is commonly used for the body and neck of electric and acoustic guitars, and is often paired with a top wood for a balanced tone. The wood is also favored for its durability and resistance to wear and tear.

Pros:

  • Warm, rich, and full-bodied tone
  • Strong mid-range and well-defined lows
  • Durable and resistant to wear and tear

Cons:

  • Less sustain compared to other woods
  • Limited high-end response

Maple Wood:

Maple is a dense and heavy wood that is often used for guitar necks and tops. It is known for its bright and articulate tone with a well-defined high-end and tight lows. Maple is commonly used for electric guitar necks, as it provides excellent sustain and stability. It is also used for acoustic guitar tops, where it adds clarity and projection to the tone.

Pros:

  • Bright and articulate tone
  • Well-defined high-end and tight lows
  • Excellent sustain and stability

Cons:

  • Can be heavy and uncomfortable for some players
  • Can add a brittle quality to the tone

Rosewood:

Rosewood is a dense and oily wood that is known for its warm and complex tone with a pronounced low-end and clear highs. It is commonly used for fingerboards and bridges, as well as for the backs and sides of acoustic guitars. Rosewood has a unique sonic character that is favored by many players for its rich and expressive sound.

Pros:

  • Warm and complex tone
  • Pronounced low-end and clear highs
  • Unique sonic character

Cons:

  • Endangered and limited in supply
  • Heavier than other woods

Spruce Wood:

Spruce is a light and stiff wood that is favored for its bright and clear tone with a wide dynamic range. It is commonly used for acoustic guitar tops, as it provides excellent projection and clarity. Spruce is also used for electric guitar tops, where it adds brightness and definition to the tone.

Pros:

  • Bright and clear tone
  • Wide dynamic range
  • Excellent projection and clarity

Cons:

  • Can be brittle and prone to cracking
  • Limited low-end response

Ebony:

Ebony is a dense and hard wood that is favored for its bright and snappy tone with excellent sustain. It is commonly used for fingerboards and bridges, as it provides a smooth and fast playing surface. Ebony is also used for acoustic guitar tops and backs, where it adds clarity and projection to the tone.

Pros:

  • Bright and snappy tone
  • Excellent sustain
  • Smooth and fast playing surface

Cons:

  • Endangered and limited in supply
  • Can be difficult to work with

Cedar

Cedar is another popular choice for guitar tops, known for its warm and mellow sound with a strong emphasis on the midrange. Its softer and more porous nature makes it more responsive to a light touch, making it a great choice for fingerstyle and classical guitarists.

Pros:

  • Warm and mellow sound with emphasis on midrange
  • Responsive to a light touch
  • Attractive grain patterns

Cons:

  • Less projection and volume compared to spruce
  • Can be prone to cracking and damage

In conclusion, the choice of tonewood for a guitar depends on the desired sound and playing style of the guitarist. Each type of wood has its own unique tonal properties, characteristics, and pros and cons, and it is important to consider these factors when choosing the right wood for a guitar.

By Mike D. Schmitt

Mike is your 'Go-To-Guy' for all things music and pro audio. Engineer, musician, luthier, and quite possibly the biggest gear head on the planet. With over 30 years of industry experience in the studio, and on the road, we turn to Mike and his expertise for those hard hitting music and pro audio questions.

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